Writing novels when you have experience is daunting. Writing a first novel, then, can seem like an impossible task, especially when you have nothing going for you except desire and a head full of ideas.
I recently commented on a book from someone who asked for a review through my Review Exchange offer. I could tell after reading only a few sentences that this person was new to writing. At that point, I had to make a decision. I could have said, βNo way, come back with a revised draft.β But I decided not to. I know how hard it is to write and how terrifying it can be to have my work reviewed by βsomeone who knows what they are doing.β Also, new authors are told all the time to βget experienceβ or to βgo back to the drawing boardβ, but donβt they need guidance and support in order to do that?
I decided to read the book, and rather than write a review, I wrote feedback in the manner of a beta read, which I hope the author will see as constructive and motivating. It was while I was writing the feedback, that I thought it might be helpful for other authors starting out to read the notes.
Now, I am not an authority on novel writing. Iβve been lucky that people who read my stories and novels enjoy them. But like the author above, when I started out I had no support network; I just wanted to write. People reading my early drafts must have rolled their eyes and gone, βOh great. Another wannabe.β
For those who donβt know my journey, hereβre a few lines of intro: I started writing short stories, poems, and plays when I was a kid, but when I got serious about it about 5 years ago. Essentially, I learned by reading and reviewing. Before I wrote my first book, I read classics to remember basic sentence structure and what βproperβ writing was. Then I got joined an online writing site and, by reading and reviewing short stories, learned to break them down to find out what worked and what didnβt. Then I moved to another site where novels were broken down the same way. Along the way, I met helpful writers, editors, and beta readers and learned from. Often, they tore apart my books–and it hurt A LOT–but I learned a ton. Iβm still learning, almost 5 years later.
When I do a beta read, my goal is to be constructive but honest. No one learns when they are told that everything is βwonderfulβ and βperfectβ. Every book out there, for the most part, can be improved in some way. And, I figure itβs best to get feedback from someone who cares about the story and an authorβs growth than from those who seek only to destroy (i.e. Trolls).
Anyway, letβs begin. Below are some points I think that any new author should keep in mind when crafting a book:
- 1) Edit/proofreading: Solid editing/proofreading can make or break a book. If the novelβs readability is compromised by punctuation problems, misspelled words, weird quote marksβanything that messes with a sentenceβs clarityβit must be resolved. If a reader has to work too hard to understand what is being communicated, they risk becoming confused, or even frustrated, and quit reading the book. Not good.
- 2) Content editing: 1) Nice settings and world building go a long way, but what is the central theme or story being told? Is it clearly told, or is there too much fluff (over-writing, too many tangents or sub-plots, etc.) getting in the way? Are the characters well-rendered so that we care about X or Y? Is the genre clearly defined so that we know if itβs a mystery, a love story, or a thriller? Hereβs a hint: if a reader canβt tell what the story is about from the first chaptersβsome say as early as the first chapter–then you might want to rewrite. 2) Also, peopleβs motivations are important. Why do they do what they do? And do their motivations match their actions in the story? Nothing is worse than when a character does something that doesnβt make sense for him or her. When that happens, the story feels forced which can work against it. 3)Β Lastly, a quick point on characters: carefully consider the struggles/risks they face as these are critical for building necessary tension. Done well, those elements capture the readerβs attention so that they want to see what happens next.
- 3) Structure: Novels needs structure. A beginning, a middle section, a climax and a resolution. The story arc. Not every book must have a nail-biting build up and climax but it should feel like the reader is being brought from one place to another through the narrative. Knowing where to put that climax is key: too soon and the book feels finished before it even begins, and too late and the ending might feel rushed.
- 4) Dialogue: This can make or break a story. Dialogue should be believable. It should sound like how normal people speak. Consider the times/era and physical setting so that the speech patterns are consistent. Listen to how real people speak. Read your dialogue out loud. If it sounds corny or unrealistic, it probably is.
- 5) Decide what kind of book you want to write: Knowing your genre and setting the right context for your reader is important. For example, I hate when I pick up what is billed as, say, a βsci-fi romanceβ and discover it is a βromance with sci-fi in itβ. For me, that is cause for teeth gnashing.
- Also, love stories, thrillers, mystery novels, etc. all have their own structures and tropes which help situate readers so they know what to expect. Of course, there are books that break or combine boundaries, but Iβve found that the good ones are well-conceived conceptually so that the reader can easily adjust to the new ground laid in the story.
- 6)Β Practice writing your pitch/book blurb: Ugh, this is notoriously hard to do well, as itβs important to give enough information so that a reader can, in a few short words, grasp the genre, basic story without giving away too much (or not enough), as well as include a hook to motivate them to buy YOUR book instead of the millions others out there. My advice is to find people who know what they are doing and ask them for help.
- What about you? Do you have tried and true tips or suggestions for new authors? What was your experience like, learning how to complete your first book?
YAY! This is so helpful!
I definitely swear by an outline. Some people are good at seat-of-the-pants writing but I just can’t. I like to make plot maps and I SWEAR by scrivener.
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Glad you found it helpful. π We all learn by making mistakes and I’m thrilled that you found tools to help make the task easier.
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These tips are so helpful! Thanks for sharing!
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Thanks for reading! I’m glad you found them helpful. π
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Good constructive advice as always Dyane π
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Thanks Yolanda π
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Very helpful article, answers many questions in this difficult time of writing my first novel.
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Glad you thought so Robert. If there’s anything I can help you with let me know
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I’ve been part of an online workshop for seven years, I’ve critiqued and been critiqued and I know there is nothing more valuable.
When someone asks me to read something, I always feel I should give an impression beyond the ‘I liked it.’ Maybe because, as you said, I was alone for such a long time and craved for valuable feedback, I always think other writers, especially when they are just starting out, feel the same. And personally, I know that my writing improived a lot after I entered a circle of people who wrote and critiqued like I did.
I never like when someone points out “This doesn’t really work for me”, but I’m always grateful when someone does take the time to let me know, because I know after addressing that comment, my story will be a better story and I will be a better writer.
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Thanks for that comment! You’re right that learning to give and take constructive feedback is so important to our growth.
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