The dreaded synopsis.
Yeah, I said it.
I mean, who decided to curse the humble writer with the necessity of creating such a diabolic thing? I haven’t met anyone yet who enjoys writing them, and most people I speak to don’t know how, or struggle to get something decent on the page.
There’s a lot of information out there on how to write one. My issue has always been not knowing how to organize my ideas. What do I include and what do I leave out? When an editor someone asks for a 1 page synopsis and my book is 75k words, how do I whittle it down without missing something important???? Isn’t everything important???
Well, yesterday I gave the thing another shot but only because I had to. Someone had posted that a publishing company publishing big names was accepting submissions and guess what? They require a synopsis.
So, I searched the Internet and found some great articles, which I will list later. The difference this time, I think, is that these articles broke down the process step by step, added essential bullet questions to focus the thought processes, and added a checklist to be used before the final draft. I pulled what I needed from them and then started to build the synopsis. Cutting the manuscript from 75k to 1.5K was actually much simpler than expected once I applied the tips/notes to a synopsis I’d written years ago. I ended up with something that is the closest I’ve ever had to a decent synopsis.
But that’s just the beginning. Some of you know that I don’t lay out my stories from beginning to end before I write them. My stories and books are exploratory for me, and I like setting out with nothing more than the barest of information to see where I end up. I rarely take notes, and if I do I almost never look at them again. They serve mostly to answer some problem or to clarify an immediate issue. Some people like a cluttered desk, I prefer a cluttered creative mind. To me, once something goes down on paper, the idea loses their luster. So I just take things one step at a time, teasing and developing threads and inspirations as they come. That said, retracing my steps and making sense of what essentially came from chaos is a major challenge, and that’s where the synopsis is a game changer.
It’s amazing how a story that was crystal clear when it was written can fade over time. As I wrote the synopsis for The Purple Morrow, the foundation of the trilogy became clear to me again. As I responded to the questions about the characters’ main conflicts, wrote summaries for the key players and their motivations, defined the stakes, and wrote about how the story concluded, it was like digging through mud and laying hands on a precious stone. In fact, I was relieved to know that despite being born of clutter, the overarching plot and subplots were clear throughout the three books. For example, I was able to see their birth and growth from book 1 to 2 (Wolf’s Bane). Also, the process revealed plot-lines that need development as well as outright plot holes that needed to be dealt with in book 3 (Berserker).
So, what do you think? What’s your take on synopsis writing? What resources have you found helpful? You can post links below to help others visiting the page.
Jane Friedman: http://janefriedman.com/2011/10/25/novel-synopsis/
Fiction Writer’s Connection: http://www.fictionwriters.com/tips-synopsis.html
Thanks for reading!