Author Interviews

Author Intervew with Author Ned Hayes

Ned HayesI have the distinct pleasure of hosting today’s guest author, Ned Hayes. Mr. Hayes is a writer of poetry, historical fiction and science fiction. Rather than begin with a lengthy introduction, I think it is best to let Mr. Hayes speak for himself. Please read on! You won’t want to miss this talented author whose passion for books and writing is infectious.

Mr. Hayes, it is a pleasure to have you with us today. Can you start by telling us a little about yourself?

Books are my addiction. I love books and I’ve been an avid reader for decades now in nearly every genre. I read historical fiction and science fiction and fantasy and even romance! I love books. And I think books were my refuge since an early age when I was growing up overseas and then after we came back to the United States and I was a bit of a quiet introvert. I loved living in other people’s skins, and seeing through their eyes: and I think this tendency to step out of my own reality can be seen in all my published fiction and poetry. In the last ten years, I’ve picked up my pen and I’ve written books myself, along the way acquiring one Masters in Literature and another in Creative Writing (which should be completed this year, in 2015). I’ve worked with several agents to sell my work to publishers, and I’m very happy with the publication of SINFUL FOLK in 2014.

I currently work in technology, and I write books on my daily commute to and from Seattle and Oregon. I have previously worked as a journalist and editor.

Are you interested in other forms of artistic expression besides writing? What keeps you motivated/inspired to create?

Storytelling is a powerful motivator: I love the idea of telling stories that fill people with feeling, and this is my prime motivator. My family’s support is also a big part of my motivation: they are so encouraging in my work and my ongoing exploration in storytelling. I also play music and do a little bit of art, but I’m not very talented there 😉

What drew you to write about the Middle Ages?

In the 1990s, I studied medieval literature under noted scholar Richard Emmerson. And as I read Chaucer, I came across a bit of history from the 14th century. Children died in a tragic house fire in a distant village. The families were in such agony that they took their dead children across England to the King’s throne to demand justice. The same night I read of this incident, I couldn’t sleep – I stayed up and wrote a rapid beginning to the story.

But then I put the story on a shelf for nearly ten years. Then, one day, as I was watching my children playing, I thought of the agony of child-loss, and the pain I would feel if one of my children was lost. I wondered how far a mother would go to protect her child’s memory?

So in 2007, I suddenly started writing the book again and my writing rapidly focused on one woman’s story. One mother loving her child. One tragedy. One relentless urge to find answers. I began to think deeply about children, mothers, families, and loyalty.

I picked my old pages back up and suddenly I was haunted by the character of Miriam/Mear – I almost felt that she was a ghost who wanted her story to be told, and I was impelled to tell the truth of her life.

Your writing style is fluid and lyrical. Do you write poetry, or other writing formats? What can you never see yourself writing?

I would love to publish something in nearly every genre I can think of — I love reading across genres, so I’m not interested in restricting my writing to a particular style or form.

Yes, I write and publish poetry as well. I’ve included one poem below, which originally was published in THE MID-AMERICAN REVIEW.

One of my published poems came out of the experience of being a channel for another person’s voice, and I’m republishing the poem here for all of you to read (the poem originally appeared in the national literary magazine The Mid-American Review).


White men’s bodies turn green under the billows of the sea
I have been told so; when the young are dragged from the tide
their lips have melted into a delicate slash of emerald.

Black bodies turn blue in the brine
none of the longshoremen here notice, for there are too many dead;
in Jamaica or Barbados it is rarer. There, the heavy pictish tinge
is obvious — their friends, dark and strangely indigo, found
among the flood of tourist caucasian suicides.

There is a color women’s bodies turn
the change is as oblique as the departure of the soul
when our flesh takes on the scent of waves, our skin tone melds away.
But no one has ever noticed the change of shade; these corpses often float for years.

then, sometimes, they return to shore, marry, take up jobs or clean
house, have children, laugh and talk.

I am walking
around still, tasting of ocean, undetected.

Wow! Thank you for sharing that with us.

Mr. Hayes, as a reader, what do you think makes a good story? What have you learned never to do in your own writing?

I think a good story is one that is surprising and intriguing — even for the writer. So for that reason, never assume you know what’s going to happen or that you are in control of the story.

At first, when I began writing this novel, I thought that I was in control of my characters and I was making this all up. Years ago, I had heard that the wonderful feminist novelist Alice Walker believes that all of her novels are narrated by “ghosts” from her family’s past – and that she is actually transcribing real experiences from the past, creating a living legacy for stories that have been lost. I always used to kind of laugh at that, thinking that it was silly to think of a story as being “transcribed” from ancient spirits. But my opinion of Alice Walker’s idea changed as I wrote the novel SINFUL FOLK.


Now although I never actually heard ghostly voices, I did find that my main character, Mear, became increasingly real to me – so real that I couldn’t help but find myself impelled to write down her story as her own story, not a construction I had created. Mear was insistent, in wanting her story told her way, and from her proper perspective. She ended up correcting my voice, my assumptions, and my prejudice about what she was capable of, as a woman.

(Note to readers: to see my book review of Sinful Folk, click here)

What are your strengths and weaknesses? 

My strengths are that I persevere with my writing. I write nearly every day, and I just keep plugging away. My weaknesses are that I enjoy communicating with readers and the writing community too much — and it distracts me from the writing I should be doing. 

However, I think it’s more interesting to think about my main character’s strengths and weaknesses!

I think that Mear’s great challenge is facing her own worth and her own abilities, and claiming her own voice. The outside challenges she faces are actually no match for Mear when she fully claims her own power. But for so many years she has buried her true strength, that it is a bit of a struggle for her to realize that she can step forward again, and become the powerful woman she was destined to become. 

One thing I’d like to mention is that some readers and reviewers have pointed out that they’ve found it a little unbelievable that a woman could live disguised as a man for years, without anyone noticing. What’s interesting about that is that these reviewers (often women) give men too much credit for observing people – as a man, I’d say that we often don’t notice what is right in front of our noses (my wife would agree with me). I’d also like to point out that there’s a LOT of historical precedence for women living quite successfully disguised as a man. In the U.S. alone, there are numerous examples of women successfully pulling off this feat of disguise for many, many years – sometimes helped by other women!

Here’s a short article listing some of the women (with pictures), as well as a top 10 list of women who have lived as men. It’s an interesting cultural phenomenon, and one that has allowed many women to make their own way in the world, over the centuries.

How did you publish your novels? (traditional, indie/self-published) What was the easiest and the hardest thing about your journey? Advice? 

I was represented by several different agents for many years, and pursued traditional publishing for a long time before I finally had a book come out in print — and that was thru a small press, called Campanile Books, based in New York City. I’ve enjoyed my experience with Campanile, but I’m also actively pursuing larger publishers for additional projects.

I’ve self-published some SF and fantasy work under my pseudonym’s name (Nicholas Hallum) for work that is not historical or “straight” fiction.

I find working with an agent to be a wonderful experience — you have an active, engaged reader who is part of your process. I especially enjoyed working with the stellar agent Jenny Bent for a few years on SINFUL FOLK. Her input was very helpful.

Can you tell us about your books? What other projects are you working on? 

I am working on several active projects right now. One is called WILDERNESS OF MIRRORS, and it’s a historical fantasy, to be published under my pseuodnymn’s name, Nicholas Hallum. More details at 

I’m also working on another “Ned Hayes” “Historical Fiction” novel right now. One is called GARDEN OF EARTHLY DELIGHT, and it is a sequel to SINFUL FOLK, and follows up on the story of Mear a few years later, during the time of the Peasant’s Revolt in England. Mear is now on the other side of the table, as a noblewoman. But during this revolt, she has to go back into disguise, as a peasant, in order to protect her property and family. I won’t say anymore about this novel, so that I don’t spoil it for readers, but I’m quite excited about it. To get early notice about the publication date of GARDEN – and receive the first chapters for free, when they are available – you can sign up on my mailing list right here. 

What do you find is the most difficult aspect of writing, and how do you cope with it? 

I guess some readers would think that writing from the perspective of a medieval woman – in a first person voice – would be very hard. But actually, once I got into the truth of her life and how she saw her life, I found her voice relatively easy to write.

But the one that gave me the most trouble was my villain.

In fact, I began writing the book from the perspective of my main villain — I won’t tell you his name, because that would give away a major plot point. But as I wrote the rest of the book, I found Mear pushing herself to the foreground, and I found it more and more difficult to find the voice and motivations of my main villain.

So I found it hard to justify the murders, and found it hard to write a realistic and believable villain. You can read the book, and determine if I succeeded 😉 

Who are your favourite writers and why? 

One of my favorite books continues to be the classic WATERSHIP DOWN, by Richard Adams. If you haven’t read this book, I think you should! The other book that I think should be on every serious reader’s list is the new and amazing JONATHON STRANGE & MR. NORRELL, by Susanne Clarke. She is such a genius at evoking the era of Jane Austen, and adding a touch of magic to a very old form.

Also, I love the following books: Maxine Hong Kingston’s THE WOMAN WARRIOR, Zora Neale Thurston’s THEIR EYES WERE WATCHING GOD, and Annie Dillard’s PILGRIM AT TINKER CREEK.

If you’re in the mood for something more complicated in terms of plot, I’d recommend Tim Power’s best-vampire-novel-ever THE STRESS OF HER REGARD, Neal Stephenson’s strange monks-as-mathematician’s story ANANTHEM and Pete Dexter’s powerful and destructive National Book Award winning novel PARIS TROUT.

For light entertainment, Garth Nix’s ABHORSEN trilogy is a new favorite in fantasy. I’ve also really been enjoying NEXUS, the award-nominated new SF novel by Ramez Naam, and Frank Zafiro’s tense and exciting crime and cops novel AT THEIR OWN GAME. 

For readers who enjoy historical fiction like my novel SINFUL FOLK, I’d recommend the following books: 

      – MISTRESS OF THE ART OF DEATH, Ariana Franklin, which features a medieval woman solving a terrible mystery. 
      – THE RED TENT, Anita Diamant, which addresses similar questions of female voices being foregrounded, and also is about historical Jewish identity. 
     – YEAR OF WONDERS, Geraldine Brooks, which also features a female narrator in early English history.
     – COMPANY OF LIARS, Karen Maitland features a troupe of travelers moving across England in perilous times. 
     – HANGMAN’S DAUGHTER, Oliver Pötzsch features a female narrator and a mystery to be solved and is set in Germany instead of England.

What advice would you give to new writers, especially those looking to break into your genre? 

Write all the time. Read more than you write. Read, read, read! 

It is hard to keep writing each and every day: it is easier to just let it go and do something else that isn’t as challenging or as mind-bending. Yet in his early book on the writing craft, Danse Macabre, Stephen King says that if you write just one page a day — 300 words or so — at the end of one year you’ll have a novel. And that has really helped to keep me going — just add another 300 words today, and soon, you’ll have a complete novel. Just keep writing!

The other piece of advice I have is to listen to your early readers and to your editors, fellow writers, and the bookish community. They will tell you what is working in your writing, and what is not working: listen to them!

I read books in every single genre I can find, and I recommend this practice to every serious reader and writer. If you don’t read everything out there, you have no context for what you are doing. Reading other work provides you with grist for your mill, inspiration for your daily life, and models to follow when you need to see how to do something.

When I’m writing in a particular genre though, I try to read mostly in other genres, so I’m not too much influenced by one particular author or book while I’m writing. 

How can readers get into contact with you? 

I’m always happy to hear from readers and talk about writing and books you enjoy. Feel free to contact me via any of the following means: 

You can sign up on my mailing list right here.
Book Website:
Author Twitter: 
Writing Blog: 
Personal Page / Blog: 
Facebook Page: 
Author Pinterest: 
Amazon Author Page: 

More about Ned Hayes:

Also by Ned Hayes
Also by Ned Hayes

Ned Hayes is the author of the Amazon best-selling historical novel SINFUL FOLK. He is also the author of Coeur d’Alene Waters, a noir mystery set in the Pacific Northwest. He is now at work on a new novel, Garden of Earthly Delights, also set in the Middle Ages.

Ned Hayes is a candidate for an MFA from the Rainier Writer’s Workshop, and holds graduate degrees in English and Theology from Western Washington University and Seattle University.

Born in China, he grew up bi-lingually, speaking both Mandarin and English. He now lives in Olympia, Washington with his wife and two children.

Mr. Hayes, it was a pleasure to have you with us today. Thank you for sharing about what is clearly your passion: books and writing. Readers, I hope you feel motivated to discover some of the authors mentioned above, and of course, read Sinful Folk (which I highly recommend). Don’t forget to leave Mr. Hayes a message here, or contact him at one of the links provided. Thanks for stopping by!


Never Say Never, or You Just Might Find Yourself Writing Longhand–Shiver!

Rarely will you hear me say I will never do something. Why? Because you never know when those words will come back to bite you in your plump, writer’s behind. What follows is just such an example. 

I haven’t written a story by hand in ages. Once I got my word processor (years ago!) and, later, my own computer followed by my laptop, I left the archaic days of paper and pen behind, and happily. Back then, I hated that my wrist got sore, and that weird callous on my middle finger was a source of pride (Yay! I’m a writer!), but also annoyance (Ugh, how to ruin a good-looking pair of hands!). Besides, it was slow. My mind would be three sentences ahead before my hand would catch up, which always resulted in chicken scratch even I couldn’t figure out when it came to revising or transcribing to the computer. Good riddance and no looking back!  Futurama Yes, the computer was a godsend. Quick, easy, and waste-free, it was a breeze to write and edit, and it required no transcribing—another thing I hated about writing longhand. 

But, well…you see, I’ve…um…(coughs)– I’ve gone back to longhand writing. There. I said it.

In an older post, I hinted at it, as I find writing poetry by hand helpful in getting me ‘unstuck’—maybe it’s the fact I’m creating in an environment different from the one I’m stuck in (bent over paper with a pen in hand versus hunched over a keyboard staring at a blank screen), or perhaps, as it has been suggested, that handwriting uses a different part of the brain than typing. Regardless, I have found it successful. For poetry. 

So, how is it that I’m finding myself writing a story by hand?  I’ve mentioned that I have tendonitis in my ‘mouse’ hand/elbow, and, lately, I’ve been bothered by back and neck problems on the other side. I write for work and then I go home and write for play. To deal with this, I decided to ease up on writing and focus on other things instead: reading, editing, beta reading etc, to still be in the writing head space while resting my body.

But I’m still driven to create.  So, here I am, back at the beginning, holding a pen in one hand and bracing a lined page with the other, just like I did in the first grade when I wrote my first story. And I have to say, I’m liking it. 😉 


Some thoughts:

  • I’ve discovered that the brain is pretty remarkable, and this exercise made me realize just how fast it can be. As I’m getting my words on paper, I’m conscious of just how many decisions I am making before the pen hits the page: Is this the right word? No? Okay, should I change it? To what? Or should I just keep going and correct it later? …How does this section relate to what’s coming? Do I even know what’s coming? No? Who cares? Stop thinking, don’t self-editing, just write, write, write, get it down and correct later. Write, write, write! Try it. It’s pretty amazing.
  • Going slow isn’t bad. I like to be productive. I don’t have a lot of spare time, so the fact that a computer lets me bang out a story quickly and in one shot is very satisfying. However, this process is changing the way I approach my writing sessions: being forced to write in short bursts before my hand wears out forces me to think first about what I want to get down on paper. And between sessions, I think about what should happen next, rather than typing whatever feels right at the moment because I’m on a roll or because I just want to have something finished by the end of the session. It’s a different way of writing for me, and though it’s hard to slow down, I find this process pretty neat.

Anyhoo, those are my thoughts on this. What do you think? Do you write by hand or were you like me, spurning it with every ounce in your body? I’d love to hear your thoughts. Oh, and I’d share a little of the story I am working on, but well, it’s on paper. 😉 Maybe next time!

Essays, Misc, Stories

Stuck? Try Writing Poetry

It’s been a while since I’ve posted any new writing. There is a reason for that: busy, busy, busy relaunching my first book under my own name, busy revising the sequel so it might be ready in the new year, and well, Life keeps happening. And another thing: being in this writing group of mine has really done a number on me. 

Being primarily a genre writer it was a stretch for me to jump into a group that consisted mostly of lit-fic writers. But I wanted the challenge; I wanted to see what I could glean from the experience. It has been great, and I have learned a lot. But it has also been confusing. “Rules” that have been drilled into my head in all my learning over the years and which apply generally to genre fiction (“No head popping”, “cut out ‘to be’ verbs as much as you can”, “show don’t tell”, “pacing is key”, “make sure you hook your reader in the first chapters” amongst others) seem to be thrown out the window in favour of the story–at least that’s my take. I’m also being exposed to different types of writing I’ve not come into much contact with before (creative non-fiction, for example). So, when it comes to thinking of writing a story, suddenly I’m bombarded with a slew of  questions before I even begin: why am I writing this? Is there some larger application or meaning to this and how can that best be shown? Can I even figure out how to blend the old and the new into a comprehensive story?


None of this is bad. It’s just taking time to figure it all out and turn it into a language (voice) I can use. That’s why that ‘silly’ writing experience last week was so important to me: it reminded me why I write. I write because I like it, not because I feel I have something to prove. Since then, the stress has diminished.

Today, I wrote two poems. I don’t consider myself a poet but when Life Happens, as it has in drastic fashion over the last few weeks, I find poetry helps unblock me. They might not be great but at least creative expression is flowing. Oh, and I usually write poetry by hand. This is a tactic I usually hate, since I think faster than I write, but for poetry I find refreshing. I’ve heard it said that handwriting uses a different part of the brain and forces the brain to slow its thinking. Perhaps this is what contributes to that ‘unblocking’ alluded to before. Anyway, since this is a writing blog here’s the second of the two poems written today. Enjoy, or not. I told you, I’m not a poet 🙂



is holding a palmful of water,
watching crystal rivulets trickle back into
the pool from whence they

is standing on a mountaintop,
listening for an echo only to find
it’s been dispersed
by trailing winds.

is me
while your shadow,
my essence,
passes me by.

The pieces of us
Are scattered on the floor.
I pick them up
Put each one in their designated
Only they fall.
Some things
just aren’t meant
to stay together.

I dig, shovel and stack
grains of sand.
Destined to ruin
no binder
no glue, my constructions
always collapse.

Our castle I will build,
this habit I will tend.
And this goodbye,
petty and ridiculous
as a house built of sand
will remain

Copyright@ 2014 Dyane Forde

Misc, Stories

dragon fall

I absolutely love this. Moving and brutally honest, I just had to reblog it. Bill Jones, Jr.  does it again. 🙂

This Blog Intentionally Blank

I used to be a dragon.

On the last day of my existence, before the peopled masses crushed me underfoot, I was black-winged, graceful, with a flowing mane that rippled in the tearing winds beyond the rock face. I stood there, grey eyes closed to the dying sun, thirty meters of wingspan open, and fluttering like the jagged sails of ocean craft. There was a chill, a thin, biting wind upon my back, and I should have recognised its call. But I was inflamed and full, an alpha dragon amidst the soaring rage above.

I was a male, like none other, or so

I thought.

We were hot-blooded beasts, we dragonkind. The Others believed us to be outsized lizards, but it was never so. We burned with passion that frightened them, but our flames were never for violence, even though our cries were stark. Alone was our fire for love…

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