Essays

Grammar Talk: Hyphens vs. Em Dashes

Hyphens and em dashes–goodness, the English language makes me crazy sometimes! Anyway, for those who are as confused as I sometimes get, take a look at this article. Thank God someone understands this stuff!

copywriting-guide-hyphen-dashI can’t tell you how many times I hear that punctuation doesn’t matter in the world of novel writing, and how “an editor will fix all that.” Bah! While there is truth to the matter that grammar isn’t everything and that some people place too much importance on the grammar/punctuation end without focusing on the story’s plot, character arc, story arc, atmosphere, and all the other essentials of a novel, grammas IS something (Check out the discussion on it). In fact, it’s an author’s tools for clarity and fluidity, and how is that irrelevant?

Plus, it’s just something a true writer should take pride in (that doesn’t mean mistakes can’t be made, but be educated about your craft).

With that, I bring you the dash and the hyphen–two very different types of punctuation that a lot of folks don’t know a lick about. Let’s put the mystery…

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Essays

Creative Writing and Consistency: Embrace a Style that Breaks the “Rules”

I reblogged this article because I think there is a lot of truth here. I think to write well, you have to know what the ‘rules’ are. But once that’s integrated, I think each writer needs to develop their own style and their own Voice. That comes, I think, by using the rules (or breaking them) in a way that fits with who we are and what it is we want to say. I hope you all enjoy this article.

Creative Writing with the Crimson League

Today’s topic is creative writing and the rules that come with being with an author. You know the rules I mean: we’ve all heard them. I’ll reference each one by one later on.

Don’t feel like you have to obey the rules. All you have to do is to know the rules. Once you do, you can break them if you want to, as long as you break them consistently.

Consistency is the key. I got the idea for this post after I wrote yesterday’s, because yesterday I talked about point of view and characterization. Specifically, I talked about how to characterize secondary characters when your point of view doesn’t allow you to “head hop.”

  • Don’t head hop. This is one of those rules people like to throw around for a reason. You shouldn’t head hop if you’re limiting yourself to a limited POV. When your narrator only follows…

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